Globalisation of Indian Art: A Journey from Roots to Global Recognition

• Priya Bamniya

  Author

People have known for a long time that Indian art is creative and strong. The world's biggest museums, art markets that change all the time, and the digital metaverse have replaced temples and castles. This paper talks about how India's cultural traditions, both old and modern, have spread to other countries, gained new fans, and changed to fit a society that is becoming more globalized. For instance, Subodh Gupta's gigantic steel sculptures and the lovely Madhubani paintings are examples of how Indian art is similar to art from other regions of the world. This study looks into what makes it feasible for items to get to people all across the world. Some of these are the art world, groups of people from other nations, international shows, the internet, cultural diplomacy, and the history of colonialism. It doesn't hold back when it talks about how commercialization, cultural appropriation, and the loss of authenticity are bad. These are all difficulties and successes that have to do with the problems and successes. This research indicates that globalization can be good and bad at the same time. It does this by using case studies, cultural analysis, and examples from both fine art and folk art. It helps Indian art thrive and has an effect on people all around the world. But it's crucial to preserve its core concepts so that the need for recognition doesn't make it lose its traditions and what makes it special.

1. Priya Bamniya

   Mohanlal Sukhadia University in Udaipur, Rajasthan

• Globalisation Of Indian Art: A Journey From Roots To Global Recognition